Benedetta Fusco
I am Benedetta Fusco, I have recently completed my BA (Hons) in Culture, Criticism, and Curation at Central Saint Martins University (UAL).
This website works as my digital portfolio. It gathers and presents a selection of projects I have worked on and papers I have written in the past three years
My Work
Curating The Digital: How is digital culture redefining the role of the curator e and how audiences experience art?
The concept of digital curation has become increasingly relevant with the rise of the internet and the proliferation of digital art. In this essay, I
The Next Round
The next round is an exhibition curated by me and by some of my course mates from BA Culture, Criticism, and Curation for our final
Deserted diaries
D.D. was a project proposal conceived in March 2022 for the Foundling Museum in London. The space in partnership with my university course commissioned the
Can fashion and sustainability truly coexist?
This opinion piece was submitted as part of my journalistic writing course undergone in June 2022.
Martina and her Eye of Ray: fashion, art and sustainability.
This interview was submitted as part of my journalistic writing course undergone in June 2022.
Elmgreen & Dragsel: “Useless Bodies” at Fondazione Prada in Milan – Review.
This review was submitted as part of my journalistic writing course undergone in June 2022.
‘Hidden Figures’. The history of three strong women that takes us back to the years of early racial segregation in America – Review.
This review was submitted as part of my journalistic writing course undergone in January-February 2021.
The Centre Pompidou in Paris, an analysis of its experimental and participatory practices.
This paper discusses experimental and participatory practices implemented by museums to engage with its visitors. The paper was submitted in December 2022 for my second-year
Catalogue
In May 2022, I collaborated with the BA (Hons) Jewellery Design students to create their final year catalogue. Therefore, I worked on the catalogue design
“Artists in Protest. An analysis of the relationship between performance and protest art in Tania Bruguera’s practice”
This paper is an extracted chapter of my dissertation submitted in January 2023. Overall the dissertation explores the intersection between protest and art, starting from
“Women Up” and the contemporary investigation of feminism at the Galleria Nazionale di Arte Moderna in Rome.
This paper addresses the strategies and forms used by curators and institutions to address contemporary feminism concerns and the effect these strategies and conditions produce
Gregory Crewdson: “An eclipse of moths” at the Gagosian gallery in Los Angeles – Review
This review was submitted as part of my journalistic writing course undergone in January-February 2021.